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Showing posts with label Watch. Show all posts
Showing posts with label Watch. Show all posts

Saturday, October 19, 2013

JODI ARIAS VERDICT WATCH: Jury Deliberating Arias' Fate

PHOENIX -- A jury is now deciding whether Jodi Arias killed Travis Alexander in self-defense or carefully planned to take his life in June 2008.

Arias' fate is in the hands of eight men, four women and, possibly, three alternates.

Maricopa County Judge Sherry Stephens turned the case over to the jury at about 6:30 p.m. Eastern time, after giving final instructions.

Defense attorney Kirk Nurmi finished his three-hour-long closing argument Friday afternoon. Nurmi focused his final remarks on trying to disprove the prosecutions assentation that Arias premeditated Alexander's slaying.

"Why, if somebody is there to commit a murder, do you hang out and let the intended victim of this murder take pictures of you, at what you assume will be a crime scene?" Nurmi said.

Nurmi was referring to naked photos of Arias that police found on a memory card in Alexander's camera.

"If this is a preplanned murder ... why create this crime scene of chaos," Nurmi said in regard to the exceptionally bloody crime scene. "It doesn't make any sense as it relates to premeditation."

Nurmi also addressed Arias' memory problems. During her 18 days on the witness stand, Arias testified her mind went into a "fog" after she shot Alexander. She said she has no memory of stabbing him nearly 30 times or cutting his throat from ear to ear.

"If she's lying ... wouldn't she have actually made up a lie she remembers?" Nurmi said.

The defense attorney said it is clear the case is full of sex, lies and dirty little secrets, but there is no evidence to support the contention that Arias planned to kill her ex-boyfriend. It is, according to Nurmi, a case of self-defense. Arias was forced to kill Alexander when he attacked her after she dropped his camera, he said.

"The one thing that is clear ... this scenario of Jodi Arias being forced into doing something -- into defending her life ... is a much more plausible scenario then premeditation," Nurmi said.

During his rebuttal closing, prosecutor Juan Martinez made it clear to the jury that the State has little doubt Arias killed Alexander in cold-blood.

"Her intent was to kill, not to defend herself," Martinez said. "The defendant is a liar and a killer."

The veteran prosecutor said there is no evidence to support self-defense in Alexander's slaying. He pointed to the killing as proof and said Arias "gutted" Alexander.

"She stabbed him first, he wasn't dying fast enough ... for good measure she shoots him in the face," Martinez said. "Jodi Ann Arias killed Travis Alexander ... She just gutted him."

When he finished his rebuttal, Martinez asked the jury to return a verdict of premeditated first-degree murder.

"It is the State's view that nothing indicates it was anything other than a slaughter," Martinez said.

In her final instructions to the jury, Stephens said they must come to a unanimous decision.

"All twelve of you must agree on each verdict," Stephens said.

The jury finished deliberating Friday at about 4:30 p.m. Eastern time. They deliberated for just under an hour. According to a courthouse spokesperson, the jury will now deliberate weekdays, from noon to 7:30 p.m. Eastern time. There will be no weekend deliberations.

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Recess

The judge has called recess. The jury has been told they may go back and start deliberating the case. The trial will resume Monday at 12 p.m. Eastern time.

'All Twelve Of You Must Agree'

"All twelve of you must agree on each verdict," Stephens said.

Jury Instructions

Judge Sherry Stephens is going over the jury instructions again.

Closing Rebuttal Finished

"I am asking you to return a verdict of first-degree murder," Martinez said.

'Nothing Indicates It Was Anything Other Than A Slaughter'

"It is the states view that nothing indicates it was anything other than a slaughter," Martinez said.

'Jodi Ann Arias Killed Travis Alexander'

"Jodi Ann Arias killed Travis Alexander," Martinez said. "She just gutted him."

'He Didn't Have Any Deadly Weapons'

"He didn't have any deadly weapons on him. He was sitting there sopping wet," Martinez said.

'Are You Going To Believe Her?'

"She claims he threatened physical force. Are you going to believe her," Martinez said.

On Juan: Arias Appears To Be Tuning Out Martinez

'Her Intent Was To Kill'

"Her intent was to kill, not to defend herself," Martinez said.

'The Defendant Is A Liar And A Killer'

"The defendant is a liar and a killer," Martinez said.

'She Stabbed Him First'

"She stabbed him first, he wasn't dying fast enough ... for good measure she shoots him in the face," Martinez said.

On Premeditation:

Martinez is again explaining the conditions for premeditation.

On The Stabbing:

Martinez is now suggesting the reason some of the stab wounds were shallow was because Arias had cut herself and her hand was slipping on the knife.

'A Dildo With A Heartbeat'

Martinez just mentioned the May 26, 2008 text Alexander sent to Arias, in which he said he was nothing more to her than "a dildo with a heartbeat."

On The Alleged Sexual Assault:

Martinez said there is nothing to support the defense's allegation that Alexander sexually assaulted Arias.

'All Of This Is Nothing'

"All of this is nothing," Martinez said of the defense's closing arguments.

On The Trip:

"Every part of her trip was documented, except the part where she came to Arizona," Martinez said, referring to Nurmi's argument that Arias did not try to hide her activities during her trip.

On The Gas: 'A Lie Is A Lie'

"A lie is a lie and she looked right at you ... and told you that," Martinez said of Arias' testimony regarding the return of the gas can.

On The Gas Again

Martinez is pointing out Arias said she had returned the gas can to Wal-Mart, despite the fact there is no record of the return.

On The Hidden Messages:

Martinez is reading the messages in the magazines.

The Sidebar:

On The Objections:

The defense is objecting to just about everything Martinez is saying.

Sidebar

The attorneys are at another sidebar with the judge.

'Coded Messages'

Martinez is now talking about the "coded messages" Arias put in the magazine while in jail.

'Objection'

"If she really wanted to cause him some damage why didn't she go to the media," Martinez said in regard to the pedophilia allegations. The defense objected to the line of questioning and the attorneys are now at a sidebar with the judge.

Rebuttal

Prosecutor Juan Martinez is now giving his rebuttal to the defense closing.

Back In SessionRelated on HuffPost:

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Thursday, October 3, 2013

NFL Draft 2013: Geno Smith, Roger Goodell, Suits, And Mr. Irrelevant Among Things To Watch

Nfl Draft A detail of the video board and stage during the 2012 NFL Draft at Radio City Music Hall on April 26, 2012 in New York City.

NEW YORK -- Since 1936, the NFL has picked the best of college football to join the pro league. From the very first pick – Jay Berwanger, who also was the first bust, never playing a down in the NFL – to last year's No. 1, Andrew Luck, the draft has always offered plenty of intrigue for teams and fans.

Here are 10 things to watch for during the three-day NFL draft beginning Thursday night:

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Thursday, September 26, 2013

'Game Of Thrones' Episode 4 Of Season 3: What To Expect From 'And Now His Watch Is Ended' (PHOTOS)

Episode 4 of "Game Of Thrones" is going to be a big one.

The episode, titled "And Now His Watch Is Ended," will see the first truly epic moment of the show's third season. Fans of George R.R. Martin's book franchise, on which the HBO series is based, might know what's coming in, but here's what showrunners Dan Weiss and David Benioff told reporters during a conference call before the Season 3 premiere.

"We always knew it was going to be one of the big ones," Weiss said (via The Hollywood Reporter). "That was one of the scenes I remember reading it for the first time in the books and being so swept away by it. I remember thinking [that] if we could ever get this to series and we could ever get to season three, we'd actually be able to put that scene on screen."

Here's how HBO describes "And Now His Watch Is Ended," the fourth episode of "Game Of Thrones" Season 3:

The Night’s Watch takes stock. Varys meets his better. Arya is taken to the commander of the Brotherhood. Daenerys exchanges a chain for a whip.

As for Joffrey and Margaery Tyrell, played by Natalie Dormer, the actress recently told TV Guide, "The Tyrells have come and arrived at King's Landing, underestimating the situation. They think that they can control the Lannisters and can take them on. They're going to get a nasty shock." But, she added, Margaery still shouldn't be discounted." Margaery is not safe," Dormer told TV Guide. "She's trying to work out what makes Joffrey tick because if she can work out what makes Joffrey tick, she can control him. And not just control him in a nasty, manipulative way, but control him for the better of the kingdom."

The first five photos from the slideshow below are from "Game Of Thrones" Episode 4 of Season 3. Plus, check out HBO's preview below:

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Jack Gleeson as Joffrey Lannister, Natalie Dormer as Margaery Tyrell

Emilia Clarke as Daenerys Targaryen

Sophie Turner as Sansa Stark

Conleth Hill as Lord Varys, Diana Rigg as Olenna Redwyne

John Bradley as Samwell Tarly

Aidan Gillen as Petyr Baelish, Conleith Hill as Lord Varys, Julian Glover as Grand Maester Pycelle

Noah Taylor as Locke, Nikolaj Coster-Waldau as Jaime Lannister

Jack Gleeson as Joffrey Baratheon

Esmé Bianco as Ros

Noah Taylor as Locke

Nikolaj Coster-Waldau as Jaime Lannister, Gwendoline Christie as Brienne of Tarth

Nikolaj Coster-Waldau as Jaime Lannister, Gwendoline Christie as Brienne of Tarth

Richard Madden as Robb Stark, Michael McElhatton as Roose Bolton

Nathalie Emmanuel as Missandei, Emilia Clarke as Daenerys Targaryen

Sophie Turner as Sansa Stark, Finn Jones as Loras Tyrell

Natalie Dormer as Margaery Tyrell, Diana Rigg as Olenna Redwyne, Sophie Turner as Sansa Stark

Rose Leslie as Ygritte, Kit Harington as Jon Snow

Kristofer Hivju as Tormund

Emilia Clarke as Daenerys Targaryen, Nathalie Emmanuel as Missandei, Dan Hildebrand as Kraznys mo Naklaz

Sibel Kekilli as Shae, Sophie Turner as Sansa Stark, Aidan Gillen as Petyr Baelish

Peter Dinklage as Tyrion Lannister

Natalie Dormer as Margaery Tyrell

Maisie Williams as Arya Stark

Joe Dempsie as Gendry, Maisie Williams as Arya Stark, Ben Hawkey as Hot Pie

Richard Madden as Robb Stark

Peter Dinklage as Tyrion Lanniser, Jerome Flynn as Bronn, and Daniel Portman as Podrick Payne

Richard Madden as Robb Stark

Nikolaj Coster-Waldau as Jaime Lannister

Clive Russell as Brynden "The Blackfish" Tully

Gwendoline Christie as Brienne of Tarth

Charles Dance as Tywin Lannister

Sophie Turner as Sansa Stark

Richard Dormer as Beric Dondarrion

Dianna Rigg as Olenna Tyrell

Lena Headey as Cersei Lannister

Richard Madden as Robb Stark, Oona Chaplin as Talisa Maegyr

Emilia Clarke as Daenerys Targaryen

Peter Dinklage as Tyrion Lannister

Michelle Fairley as Catelyn Stark

Jack Gleeson as Joffrey Baratheon, Natalie Dormer as Margaery Tyrell

Ciaran Hinds as Mance Rayder

Carice van Houten as Melisandre

Stephen Dillane as Stannis Baratheon

Rose Leslie as Ygritte

Kit Harington as Jon Snow

Isaac Hempstead Wright as Bran Stark

Ellie Kendrick as Meera Reed

Thomas Brodie Sangster as Jojen Reed

Maisie Williams as Arya Stark

Paul Kaye as Thoros

Peter Dinklage as Tyrion Lannister.

Earlier on HuffPost:

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Monday, June 24, 2013

Three Things To Watch In Nashville

Over the weekend, news reports from Nashville indicate a deal between the Nashville Symphony Orchestra (NSO) and Bank of America (BoA) may be announced as early as today. Multiple sources claim long time NSO supporter Martha Ingram maybe the new variable in the equation, nonetheless, here are three things crucial to the NSO’s potential success you need to keep an eye on.

ADAPTISTRATION-GUY-126Making the decision to address financial problems by focusing on settling bank debt before engaging in labor negotiations is a bold strategic move that distinguishes the NSO from peers such as Atlanta, Detroit, Indianapolis, Minnesota, Philadelphia, and St. Paul.

The latter groups all made national headlines by engaging in public and bitter disputes with musician employees over instituting severe austerity measures. One key theme among many of those employers was the need to achieve a sharply concessionary agreement as a prerequisite for settling outstanding debt.

The result for most of these orchestras was a prolonged work stoppage, degraded artistic accomplishment, and embittered work environments. The NSO board is bucking national trends by playing a firm public hand with banks rather than using that debt as negotiation leverage.

On 6/20/2013 the NSO and its musicians issued press statements indicating both sides have agreed to a media blackout while negotiations are under way. This is likely the best decision as it allows both sides to engage in bargaining without undue influence from outside sources.

At the same time, this negotiation is just as crucial to the organization’s immediate future as settling the bank debt. If either employer or employees lose sight of using the negotiations to develop a unified institutional vision and instead engage in traditional brinkmanship, any bank deal could be for naught.

If the NSO managed to accomplish #1 and #2 then the final step is making everything work; meaning, the administration will have more pressure than ever to reach earned revenue and attendance goals, the board will need to step up accomplishments in contributed revenue, and artistic employees will need to amplify commitment and effectiveness.

The NSO will need to bring all of these efforts together using fewer resources while simultaneously remaining relevant to their community all without sacrificing hard fought artistic gains since the Schermerhorn Symphony Center opened. Unsurprisingly, it won’t be an easy path, but it is far from impossible for any institution unified behind a vision with shared risk and mutual goals.

The NSO is in a very unique position right now in that they could emerge from these trials as a representative example that poisoned labor relations and artistic decline hidden behind press statements that project faux accomplishments aren’t the predetermined outcomes of financial distress.

Ultimately, the NSO board and musicians will need to be particularly mindful to keep antagonistic, fringe elements from becoming the dominant voices in the upcoming discussions. Tact, transparency, and yes, even mutual deference are necessary qualities in order to emerge as the field’s leading example for how to manage great recession era challenges without simultaneously hobbling the institution.

For more on my views on the NSO situation as related to the issues above, check out an article by John Pitcher in the 6/20/2013 of the Nashville Scene, this article by Jamie McGee in the 6/10/13 edition of the Nashville Business Journal, and this article by Travis Loller in the 3/29/2013 Associated Press."I hear that every time you show up to work with an orchestra, people get fired." Those were the first words out of an executive's mouth after her board chair introduced us. That executive is now a dear colleague and friend but the day that consulting contract began with her orchestra, she was convinced I was a hatchet-man brought in by the board to clean house. I understand where the trepidation comes from as a great deal of my consulting and technology provider work for arts organizations involves due diligence, separating fact from fiction, interpreting spin, as well as performance review and oversight. So yes, sometimes that work results in one or two individuals "aggressively embracing career change" but far more often than not, it reinforces and clarifies exactly what works and why. In short, it doesn't matter if you know where all the bodies are buried if you can't keep your own clients out of the ground, and I'm fortunate enough to say that for more than 15 years, I've done exactly that for groups of all budget size from Qatar to Kathmandu. For fun, I write a daily blog about the orchestra business, provide a platform for arts insiders to speak their mind, keep track of what people in this business get paid, help write a satirical cartoon about orchestra life, and love a good coffee drink.

View the original article here

Wednesday, April 24, 2013

Michael Giltz: DVDs: "Skyfall," "Argo" And Other Oscar Hopefuls Ready To Watch

A slew of Oscar hopefuls hit shelves just in time for you to check them out before the awards show on Sunday night.

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SKYFALL ($39.99 BluRay combo; MGM)
ARGO ($35.99 BluRaycombo; Warner Bros.)
ANNA KARENINA ($34.98 BluRay combo; Focus/Universal)
THE SESSIONS ($29.99 BluRay; Fox Searchlight)
THE LORETTA YOUNG SHOW 100th BIRTHDAY EDITION ($99.99 DVD; Timeless) -- The greatest James Bond film of all time resides only in our mind. It's some sort of platonic ideal that combines a clever gadget or two, a Bond Girl of breathtaking beauty and acting chops to boot; a tremendous villain that is both genuinely threatening and real, intense drama, excellent set pieces that are both viscerally thrilling and well-acted a la Harrison Ford in Raiders and so on and so forth. Skyfall comes darn close though I'm a little surprised as to why this particular Bond should have finally broken through into the category of mega-franchise. I know earlier editions were blockbusters when you adjust for inflation, but still. Oh and I almost forgot: a great theme song. That to me is where Skyfall joins the all-time Top 5 for sure. The movie should have been nominated for Best Picture and Best Supporting Actress for Judi Dench, but it absolutely deserves to win Best Song.

Argo is pegged to win Best Picture and it already feels like a pleasant movie that has been over-praised a tad. It's fun, though I thought there was a scene too much with Alan Arkin and JOhn Goodman back in the US. Ironically, it deserves more notice for Ben Affleck's direction (which wasn't nominated) than as a movie overall. Don't get me wrong. It could remain on my ever-changing best of the year list. But The Master and Amour and Django Unchained, to name three, rank much higher and will age well.

Anna Karenina made bold choices in its presentation: the movie is "artificial," with actors sometimes performing their scenes onstage, at other times wandering "off set" and revealing backstage equipment and ladders and fake walls and the like. While it added little to the film, I found this essentially fine. The problem, unfortunately, is with the casting and the sprawling nature of the novel which doesn't condense well into a film. This same team making a ten hour miniseries would unquestionably produce a better work. But for me Keira Knightley and especially Aaron Taylor-Johnson are not right. Taylor-Johnson in particular is an actor I like very much but it wholly unsuited to the role of the magnetic Vronsky. Jude Law is better as Anna's cold husband but that's not enough to make the movie any more than a curiosity. For heaven's sake, read the book.

For one brief moment, The Sessions seemed like an Oscar juggernaut. John Hawkes fell by the wayside but Helen Hunt snagged yet another nomination for her work as a sex therapist. Nothing succeeds like success. Both actors notably came from TV, where Hawkes achieved a high profile on Deadwood and Hunt became an Emmy favorite on Mad About You.

Once upon a time, crossing back and forth between TV and film was seen as hard and definitive. (If you headed to TV, your film career was over.) That was certainly the case for Oscar winner Loretta Young. She headed to TV in 1953 and enjoyed massive success in an anthology series that ran for eight seasons in various formats. This set -- The Loretta Young Show 100th Birthday Edition -- contains more than 60 hours of television drawn from the more than 160 episodes she made, offering comedies and usually inspiring dramas about women facing an issue or crisis. Young won multiple Emmys and never made another feature film. But at least we will always have her twirling at the start of every episode to show off a new dress and reading inspirational passages from the Bible and other texts at the end. A different era, to say the least.


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THE PERKS OF BEING A WALLFLOWER ($24.99 BluRay; Summit)
NORTH SEA TEXAS ($27.99 DVD; Strand)
HIPSTERS ($29.95 DVD; Kino Lorber)
OUR PARADISE ($21.99 DVD; Breaking Glass/QC Cinema) -- The Perks Of Being A Wallflower is a very faithful adaptation of a coming of age novel put out by MTV as the first book in its publishing imprint. It was an auspicious choice that struck a chord with teens and has sold hundreds of thousands of copies ever since. The flaws of the book are on full display in the film (it was directed by the author), including earnestness and the feeling that the person living it has never read a coming of age tale before and so what is by now familiar cliche is presented as if it's a fresh insight. Still, the excellent cast raises the material, with Emma Watson subtle and good as the object of desire, Ezra Miller good in the difficult role of the increasingly flamboyant gay teen and Logan Lerman exceptional as our rather passive hero.

Another film with gay storylines is North Sea Texas, the long-awaited feature film debut by the talented shorts director Bavo Defurne. Here he delivers an atypically realistic, quiet coming of age tale, as opposed to his Pink Narcissus-like fever dream shorts. A festival favorite, it didn't reach a wider audience but Defurne's talent deserves one.

Also worthy of more notice was Hipsters, a light Russian film that shows teenagers rebelling -- for a time -- in 1955 Moscow. The movie has fun mocking Russian cinema styles and -- continuing the gay theme -- there's a subplot about a comrade who'd like to be more than just comrades with our hero.

Finally, Our Paradise is strictly for the gay festival crowd, though it is a good showcase for director Gael Morel (who starred in the classic Wild Reeds and has since directed a number of films) and actor Dmitri Durdaine.


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GAME OF THRONES THE COMPLETE SECOND SEASON ($79.98 BluRay; HBO)
BATTLESTAR GALACTICA: BLOOD & CHROME ($34.98 BluRay combo; SyFy/Universal)
NAKED CITY: 20 STAR-FILLED EPISODES ($24.98 DVD; Image)
WEEDS 8TH AND FINAL SEASON ($39.97 BluRay; Lionsgate)
NURSE JACKIE SEASON FOUR ($39.97 BluRay; Lionsgate)
HATS OFF TO DR. SEUSS: COLLECTOR'S EDITION ($59.99 BluRay; Warner Bros.) -- Game Of Thrones improved notably over season one, so maybe it's adamant fans will cut me some slack this time. It's still not nearly as rich as the novels the series is based on, but that should improve once they spend two seasons tackling the storylines of each book rather than just one. Mind you, the main reason season two is better is that Peter Dinklage gets more screen time. So it's not that they've improved in so many areas, just wisely played to their strength (and the plot of the books). The BluRay set is loaded with extras and looks terrific, by the way. And it's a lot more fun to binge watch the show so you can keep all the rivalries straight in your head.

Battlestar Galactica: Blood & Chrome is a series designed to be seen on the web in brief bursts. Those webisodes have been collected onto one set, which is handy. But keep in mind the source -- this is of the highest quality when compared to other web-only shows but not up to the standards of the classic reboot from which it sprang. Still, you can't help wondering what if for this prequel set during the first Cylon War. Ah well, better to leave well enough alone.

Naked City is one of TV's early notable dramas. Sort of the Law & Order of its day, with shooting on the streets of NYC adding immensely to the realism of its cops and robbers storylines. Essentially an anthology, it changed stars repeatedly throughout its tentative five year run. The DVD releases have been just as scattershot. If you haven't bought any before, this set takes a grab bag of episodes notable for cameos by soon to be famous stars. If we're not going to get full season sets, this is as good a random approach as any and at least gives you 20 episodes out of the 138 they made. A solid sampler.

Weeds never quite maintained the critical notice of its first season (unlike Breaking Bad). BUt Mary Louise Parker has consistently had fun and if you've stuck with it all the way, you surely want to see how it all turns out. Still, it would have been much better off with a shorter run. but then you could say that about just any TV series you can name that lasted more than five seasons.

Still bizarrely labeled a comedy, the blackly humorous drama Nurse jackie continues to give Edie Falco one of the most complex heroines on TV. It too should start eying a finish line, but you can understand how hard it is to give up a vehicle with such a rollercoaster of a part.

Finally, they've been collected repeatedly in various versions, but here you get most of the Dr. Seuss specials (and all the big ones) on BluRay. It's also rather pricey, even though you get nine specials in all. But for the content itself, you can't beat The Cat In The Hat, Horton Hears A Who and How The Grinch Stole Christmas, three classic TV specials and surely some of the best adaptations of a picture book we'll ever likely see. Just watch the movies again if you want to be reminded what a blessing these are.


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THE THIEF OF BAGDAD ($24.98 BluRay; Cohen Film Collection)
LAURA ($24.99 BluRay; FOX)
DIE HARD 25TH ANNIVERSARY BLURAY COLLECTION ($59.99 BluRay; FOX)
THE COMPLETE ADVENTURES OF FLASH GORDON ($19.98 DVD; Image)
JUILIUS CAESAR ($29.95 BluRay; Olive/Paramount)
DON GIOVANNI ($29.95 BluRay; Olive/Paramount)
LES MISERABLES ($29.95 BluRay; Olive/Paramount) -- Cohen Film Collections is the first release of a new imprint devoted to releasing the classic films and shorts in its library. The Douglas Fairbanks version of The Thief Of Bagdad is a corker and a promising launch to the series, given its fine restoration. The extras are modest but personally I'm more concerned about the quality of the film and they deliver here. it's as good as I've seen.

Laura is one of the all-time noir champs and contains an iconic performance by Clifton Webb, though Dana Andrews is exceptional and Gene Tierney lives up to both the build-up of Laura and the exclamation that the actress was the most beautiful woman in the world. This print is a solid transfer by Fox and worthy of the film's pedigree. If you've never seen this mystery, in which a detective investigating a murder falls in love with the woman that was killed, you're in for a treat.

Die Hard is a very fun movie that launched a franchise that has struggled ever since to maintain the standards it set. Bruce Willis is always fun but given the harsh reviews for the latest version, you're probably better off sticking with what you know. This BluRay set contains the first four films but don't be surprised if the only one you rewatch is the original.

I'm a big fan of the old movie serials that used to run for weeks and weeks before feature films, each episode about 10 or 15 minutes long and invariably ending with a cliffhanger. I always thought they should be packaged together in boxed sets at a bargain price and that's exactly what Image has finally done with the three Flash Gordon serials starring Buster Crabbe in The Complete Adventures Of Flash Gordon. You get all three complete serials on four discs, which run to more than 13 hours! Plus they're presented in a nice full color hardback set with a booklet that contains imagery from the original comic strips. it's a pity the booklet is glued to the case but this is an exemplary set at a terrific price. Fans of sci-fi and Flash Gordon in particular shouldn't hesitate. If you've got kids, it's really fun to dole them out rather than gobbling them up all at once. Bring on more serials!

Three reissues of flawed but notable movies round out this section: Julius Caesar features John Gielgud in this stiff 1970 version starring Charlton Heston. it pales compared to the Brando version from the 1953 but it's fascinating to see Gielgud assay the same role after 17 years have passed. Don Giovanni is an adaptation of the opera by Joseph Losey that is strictly for buffs. And Les Miserables has been filmed many, many times. This French version from 1958 stars the ideal casting of Jean Gabin as Jean Valjean, excellent casting but not an excellent film despite the Victor Hugo-like running time of 188 minutes.


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PHOTOGRAPHIC MEMORY ($27.95 DVD; First Run Features)
UNDEFEATED ($24.99 BluRay; Weinstein/Anchor Bay)
BULLY ($29.99 BluRay; Weinstein; Anchor Bay) -- Filmmaker Ross McElwee of the deeply personal Sherman's March felt a little estranged from his son. So naturally he headed out and made another movie! Photographic Memory, the latest chapter in one of the more idiosyncratic careers in documentary filmmaking, shows McElwee heading back to Brittany to explore his own childhood.

Undefeated is the heartwarming, Oscar-winning film about high school football players and the volunteer coach who believed in them as players and as men. Like Hoop Dreams, but shorter and more sentimental.

And Bully is the hard-to-argue-with documentary film that says bullying is wrong. Sure, but one can't help feeling the movie is preaching to the choir and isn't quite the game changer for those who actually do bully. Still, one can hope.

*****

Most titles listed here will be available in multiple formats and in multiple combinations, including DVD, BluRay, digital download, video on demand, streaming and the like. The format listed is the format provided for review, not all the formats available. It is often the most expensive version with the most extras. Do check individual titles for availability in all their various guises and price points.

Thanks for reading. Michael Giltz is the co-host of Showbiz Sandbox, a weekly pop culture podcast that reveals the industry take on entertainment news of the day and features top journalists and opinion makers as guests. It's available for free on iTunes. Visit Michael Giltz at his website and his daily blog. Download his podcast of celebrity interviews and his radio show, also called Popsurfing and also available for free on iTunes. Link to him on Netflix and gain access to thousands of ratings and reviews.

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Thursday, March 28, 2013

Chris Weigant: Obama Poll Watch -- January, 2013

Maintaining His Gains

President Obama ended up his first term by consolidating the job approval polling gains he made in his re-election. His numbers have settled into a new range, and were remarkably steady all month long. Obama's "second honeymoon" period with the public may not last more than a few months, but for now seems to be holding steady. With the election fading into the past, Obama's in a pretty good position right now in terms of "political capital," but this will likely change as legislative reality sets in.

Let's go to the chart, to see how Obama finished up his first term in office:

Obama Approval -- January 2013

[Click on graph to see larger-scale version.]

January, 2013

January marked the end of President Obama's first term, and the start of his second. January started off with the endgame of the fiscal cliff negotiations, where Obama scored a clean victory over the Republicans in Congress, by getting income tax rates hiked on upper-income taxpayers for the first time in 20 years. Obama scored his second political victory when the Republicans backed down on holding the world's economy hostage over the debt ceiling issue. They punted the whole decision a few months down the road, but it will likely get solved in the midst of the other upcoming budget battles.

Later in the month, Obama got the benefit of the pomp and circumstance of Inauguration Day, where he used the opportunity to give a much feistier speech than anyone expected. This sets the stage for next week's State Of The Union address to a joint session of Congress (and the American people).

Throughout all of this, Obama's job approval poll numbers stayed pretty rock steady. One outlier poll mid-month brought his average numbers down a tad, but every other poll put him between about 51 percent and 55 percent approval. The one "odd poll out" from Fox put him at only 47 percent, but this wasn't reflected in any other polling.

This resulted in a slight drop in approval, down from 53.1 to 52.7 percent. This ends Obama's longest run yet of increasing approval ratings, as it is the first such drop in the past six months. Offsetting this, Obama's disapproval numbers also dropped slightly, down 0.2 percent to a 42.6 percent average for the month. Partly, this is a result of a lot more "undecided" Americans, as the election hoopla fades. From a low of 2.7 percent the month of the election, the undecided rate was back up to a much-more-normal 4.7 percent for January.

Obama maintained his gains in one important measurement. His approval rating is "above water" (or higher than his disapproval rating) to the tune of 10.1 percent. This, with last month's 10.3 percent rating, is the best "spread" Obama has managed since the end of 2009, and is perhaps the best measurement of how much "political capital" Obama truly has right now. Even after the death of Osama Bin Laden, Obama only managed 8.3 percent, by comparison.

Overall Trends

Before we get to taking a closer look at the trends, we've got a bonus chart today. This is (so far) what we've come up with to extend this chart into Obama's second term. It's really not all that different from the one we've been using for Obama's first term, really.

Obama New

[Click on graph to see larger-scale version.]

We had the option of starting a whole new chart for Obama's second term, and just retiring the first term chart altogether. But this would miss putting Obama's second term numbers into some needed context, so we decided to just extend the X-axis scale to show both terms in one chart. Doing so made the data points look a little strange, so we've removed the "dots" for each month. Unless people have serious objections or brilliant suggestions in the comments today, this is probably what we're going with next month. We'll also likely be "cleaning up" the stats section at the bottom of the column, which is growing alarmingly large.

But let's get on with examining January and predicting the near future, shall we? Obama's trends for January are pretty flat. He didn't improve, he didn't lose much ground. But he did indeed hold onto where he was, which is impressive enough. Obama's five-month streak of increasing approval numbers raised his rating 5.9 percent since last July, and pushed him over 50 percent for the first time since his initial honeymoon period. If he continues polling steadily in the 51-55 percent range, Obama will gain back the 0.4 percent he lost this month (due again, largely, to one outlying poll).

This might signal a return to the pre-election steadiness Obama managed throughout much of his first term. Good news or bad, Obama's poll numbers resisted much "spiking" one way or another and instead mostly followed gentle and steady curves, or spent long periods absolutely flat. Obama got significantly good news in January, from the fiscal cliff victory to the debt ceiling victory to a wonderful inauguration. He's been using the "bully pulpit" with a vengeance, pushing his agenda on gun control, comprehensive immigration reform, and budget issues, but none of this has moved his numbers above the bounce he got from the election. February will have one good moment in the spotlight, as Obama lays out his second term agenda in the State Of The Union speech, but the end of the month is likely to be consumed with congressional squabbling over the budget once again.

If Obama scores an early legislative victory (such as a gun control bill passing the Senate, perhaps), this could give him a small boost. Traditionally, however, honeymoons with the public usually end within a few months (especially in second terms). So the trend heading into the Spring will likely be one of slowly receding job approval. For the moment, if Obama keeps posting numbers with the same steadiness he showed in January, the trendline is one of maintaining his election gains. But once disappointing compromises become necessary to move legislation, Obama's approval ratings are likely to fade. The question will then become how much of a drop he'll experience before he can level them off again. For now, though, he's in better shape than he has been for the past three years.

[Obama Poll Watch Data:]

Sources And Methodology

ObamaPollWatch.com is an admittedly amateur effort, but we do try to stay professional when it comes to revealing our sources and methodology. All our source data comes from RealClearPolitics.com; specifically from their daily presidential approval ratings "poll of polls" graphic page. We take their daily numbers, log them, and then average each month's data into a single number -- which is then shown on our monthly charts here (a "poll of polls of polls," if you will...). You can read a much-more detailed explanation of our source data and methodology on our "About Obama Poll Watch" page, if you're interested.

Questions or comments? Use the Email Chris page to drop me a private note.

Column Archives

[Dec 12], [Nov 12], [Oct 12], [Sep 12], [Aug 12], [Jul 12], [Jun 12], [May 12], [Apr 12], [Mar 12], [Feb 12], [Jan 12], [Dec 11], [Nov 11], [Oct 11], [Sep 11], [Aug 11], [Jul 11], [Jun 11], [May 11], [Apr 11], [Mar 11], [Feb 11], [Jan 11], [Dec 10], [Nov 10], [Oct 10], [Sep 10], [Aug 10], [Jul 10], [Jun 10], [May 10], [Apr 10], [Mar 10], [Feb 10], [Jan 10], [Dec 09], [Nov 09], [Oct 09], [Sep 09], [Aug 09], [Jul 09], [Jun 09], [May 09], [Apr 09], [Mar 09]

Obama's All-Time Statistics

Monthly
Highest Monthly Approval -- 2/09 -- 63.4%
Lowest Monthly Approval -- 10/11 -- 43.4%

Highest Monthly Disapproval -- 9/11, 10/11 -- 51.2%
Lowest Monthly Disapproval -- 1/09 -- 19.6%

Daily
Highest Daily Approval -- 2/15/09 -- 65.5%
Lowest Daily Approval -- 10/9/11 -- 42.0%

Highest Daily Disapproval -- 8/30/11 -- 53.2%
Lowest Daily Disapproval -- 1/29/09 -- 19.3%

Obama's Raw Monthly Data

[All-time high in bold, all-time low underlined.]

Month -- (Approval / Disapproval / Undecided)
01/13 -- 52.7 / 42.6 / 4.7
12/12 -- 53.1 / 42.8 / 4.1
11/12 -- 50.6 / 46.7 / 2.7
10/12 -- 49.4 / 47.8 / 2.8
09/12 -- 49.1 / 47.6 / 3.3
08/12 -- 47.8 / 48.3 / 3.9
07/12 -- 47.2 / 48.1 / 4.7
06/12 -- 47.8 / 47.8 / 4.4
05/12 -- 48.1 / 47.8 / 4.1
04/12 -- 47.8 / 47.1 / 5.1
03/12 -- 47.7 / 47.2 / 5.1
02/12 -- 48.2 / 47.2 / 4.6
01/12 -- 46.3 / 48.3 / 5.4
12/11 -- 45.1 / 49.5 / 5.4
11/11 -- 44.4 / 50.2 / 5.4
10/11 -- 43.4 / 51.2 / 5.4
09/11 -- 43.5 / 51.2 / 5.3
08/11 -- 43.8 / 50.7 / 5.5
07/11 -- 46.2 / 47.8 / 6.0
06/11 -- 48.5 / 46.0 / 5.5
05/11 -- 51.4 / 43.1 / 5.5
04/11 -- 46.4 / 48.2 / 5.4
03/11 -- 48.1 / 46.4 / 5.5
02/11 -- 49.4 / 44.5 / 6.1
01/11 -- 48.5 / 45.7 / 5.8
12/10 -- 45.5 / 48.1 / 6.4
11/10 -- 45.5 / 49.0 / 5.5
10/10 -- 45.5 / 49.1 / 5.4
09/10 -- 45.7 / 49.7 / 4.6
08/10 -- 45.3 / 49.5 / 5.2
07/10 -- 46.6 / 47.4 / 6.0
06/10 -- 47.6 / 46.7 / 5.7
05/10 -- 48.1 / 45.5 / 6.4
04/10 -- 47.8 / 46.5 / 5.7
03/10 -- 48.1 / 46.4 / 5.5
02/10 -- 47.9 / 46.1 / 6.0
01/10 -- 49.2 / 45.3 / 5.5
12/09 -- 49.4 / 44.9 / 5.7
11/09 -- 51.1 / 43.5 / 5.4
10/09 -- 52.2 / 41.9 / 5.9
09/09 -- 52.7 / 42.0 / 5.3
08/09 -- 52.8 / 40.8 / 6.4
07/09 -- 56.4 / 38.1 / 5.5
06/09 -- 59.8 / 33.6 / 6.6
05/09 -- 61.4 / 31.6 / 7.0
04/09 -- 61.0 / 30.8 / 8.2
03/09 -- 60.9 / 29.9 / 9.2
02/09 -- 63.4 / 24.4 / 12.2
01/09 -- 63.1 / 19.6 / 17.3

Chris Weigant blogs at:
ChrisWeigant.com

Follow Chris on Twitter: @ChrisWeigant
Become a fan of Chris on Huffington Post
Full archives of OPW columns: ObamaPollWatch.com

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Saturday, March 23, 2013

Watch Super Bowl 2013 Live Streaming Online (VIDEO)

Super Bowl XLVII between the Baltimore Ravens and San Francisco 49ers will be streamed live online this year, just one year after the Super Bowl was live streamed online for the first time ever.

CBS has the television rights for the 2013 Super Bowl and the official online live stream, which you can find right here.

The online coverage begins at 6 p.m. ET on Sunday, Feb. 3, according to CBS Sports. Kickoff is scheduled for 6:30 p.m. ET.

The CBS Sports live stream will include Beyonce's halftime show, the ability to rewind and even pause the action, Mashable reports. There were also be a "Fan Choice" camera option that can impact what viewers see on the traditional broadcast.

The entire game will also be streamed live on NFL Mobile, but as GigaOm reports, you'll encounter a fee and it's only for Verizon and FIOS customers. CBS Sports Mobile can be downloaded on Android or Apple devices for a second-screen experience of stats, commercials and live social media feeds.

If you live outside the United States, NFL Game Pass will be streaming the Super Bowl.

During the game, you might consider following the team's official social media accounts: Ravens Twitter, 49ers Twitter, Ravens Facebook, 49ers Facebook. To be part of the conversation, the official Super Bowl hashtag is #SB47. That said, #superbowl should also be popular, as well as the teams' hashtags #Ravens and #49ers.

The Super Bowl was live streamed online for the first time in 2012 by NBC.


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Thursday, January 17, 2013

Watch The Top 9 YouTube Videos Of The Week

If you're looking to see the most popular YouTube videos of the week, look no further.

Once again, we're bringing you the week's most-watched videos, hot off the charts via YouTube Trends, a feature launched by YouTube that aggregates the site's video stats and draws upon "the wisdom of top curators across the web" to offer visitors a look at real-time trends among the YouTube community.

So what did the Web go wild over this week? A real-life Fruit Ninja showing off his move, a golden eagle swooping down and snatching a child (or does it?), a guy pulling off a pretty stellar end-of-the-world prank -- and much, much more.

Watch the nine most popular YouTube videos of the week and vote for your favorites. Then, check out last week's picks here. For more top videos, browse our gallery of the most-watched YouTube videos from last month.

Loading Slideshow...

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